Showing posts with label iron concretions. Show all posts
Showing posts with label iron concretions. Show all posts

Friday, March 8, 2013

The largest erg on earth ... ever!

Early-morning drink from a waterpocket in the Navajo erg.
An erg is a “sand sea”, a large expanse of wind-deposited dunes or sheets of sand, like the Sahara of northern Africa and the Great Sandy Desert of Australia.  Sand covered much of western North America ca 180 million years ago in what has been called the largest erg in the history of the continent ... or perhaps the largest anywhere, ever (Fillmore 2011). Today we call it the Navajo sandstone.
Figure courtesy NPS.
The sun sets on a “petrified dune” -- a remnant of the Navajo erg near Boulder, Utah.
The Navajo erg was in existence for some 15 million years during the early Jurassic, when North America was much closer to the equator, overlapping the zone of dry trade winds.  Sand accumulation was massive in places, reaching thicknesses greater than 2500 ft ... for example at Zion National Park in southern Utah.
Navajo sandstone walls viewed from the East Rim Trail, courtesy Zion NP.
Large-scale cross-bedding attests to eolian (wind) origins.  Navajo sandstone in the San Rafael Swell in central Utah; width of view is roughly 30 feet.
Fifteen million years -- the lifespan of the Navajo erg -- may seem like forever, but at the scale of geologic time it was just a moment.  The erg was inundated by invading seas, buried in marine deposits and then under more sand when the seas retreated ... and so on, for the next 100 million years or so.  Sand became sandstone under thousands of feet of overlying sediment.

Subsequent uplift, faulting, intrusion, weathering and erosion have exposed the Navajo, often quite spectacularly.  I think these must have been terrifying landscapes for early travelers and settlers.  But times change.  Now many many many thousands of travelers come to the Colorado Plateau specifically to see this starkly beautiful scenery.
Navajo sandstone forms the outer wall of the San Rafael Reef in central Utah.
Photo by Jack Share; used with permission.
Biking the Navajo erg near Moab, Utah -- aka the Slickrock Trail.
Navajo sandstone “capitols” in Capitol Reef National Park form the backdrop for a Fremont cottonwood.
The Navajo sandstone frequently is pale in color and easy to distinguish from the common red rocks of the Colorado Plateau.  Early geologists made note of this.  John Wesley Powell called it the “White Cliffs sandstone” and G.K. Gilbert referred to it as the “Gray Cliffs group” (Longwell et al. 1932).
Navajo sandstone domes and "mosques"; from Longwell et al. 1932, Plate IX in part.  
But the Navajo wasn’t always so pale.  It probably was red sand originally, and then red sandstone for a while after burial.  The red of red sandstone comes from very thin coatings of rusted or oxidized iron (hematite) on individual grains.  Some outcrops of Navajo sandstone remain red to this day, the films of hematitic sand pigment still in place.

What happened to the rest?  The Navajo, made up as it is of uniform wind-deposited quartz grains, is quite porous.  When water of the right chemistry (reducing) moved through, iron went into solution and the rock lost its red color.  In other words, the originally-red sandstone was bleached (e.g. Chan and Parry 2002).
   Some outcrops of Navajo sandstone remain red to this day, the thin films of hematic sand pigment still in place.  This one is near Moab, Utah.
Red strata and pockets can occur in otherwise-pale outcrops.  These may be original unbleached remnants, or areas of re-oxidized iron.  Photo by Jack Share; used with permission.
Rusty water streaks on the Navajo near Boulder, Utah.
Bleaching is just one example of the role of water in the history of the Navajo.  This erg, like many, was not just dry sand.  Large volumes of water moved through it, both while it was sand and after it became rock, and even today the Navajo sandstone is considered one of the best reservoirs and aquifers on the Colorado Plateau (Chan and Parry 2002). Water in the Navajo has created many intriguing features, in addition to variation in color.
This Navajo outcrop along the highway in Capitol Reef National Park exhibits soft sediment deformation, perhaps of buried water-saturated sand.
If iron-rich water passing through sandstone encounters oxygenated water, iron can precipitate out, again coating the sand grains.  However, this is not just a thin film but rather a strong thick hematitic cement.  If exposed, the chunks of cemented sandstone eventually weather out of the softer surrounding rock ... which takes us to the mysterious dark rocks in my kitchen, the subject of a recent post.
Still life with iron concretion -- aka iron oxide concretion, iron sandstone, ironstone.
Iron concretions seem to be most common in areas where the Navajo has been bleached, suggesting they contain iron that once colored the sandstone red.  Moki marbles are the most famous, but concretions come in many other shapes as well.
Puzzling round iron concretions, called moki marbles; small block at top is 1 cm across.
Moki marbles in situ.  Photo by Jack Share; used with permission.
Iron concretions from Navajo sandstone; width of view is 15 inches.

Navajo flatirons on the south side of Mt. Hillers in the Henry Mountains of southern Utah.
The Navajo sandstone is spectacular in landscape view -- there's no doubt about that.  But sometimes I find its close-up patterns even more fascinating, especially when I know something of the history they record.
Ancient cross-bedding, from 180-million-year-old sand dunes.
Modern-day dog for scale.
Navajo iron art in early morning light; all views from above, widths 6-15 inches:
Iron concretion with moss.
Navajo sand on the move again, this time carried by water rather than wind.

Sources (in addition to links in post)

Thanks to Jack Share for contributing photos to this post, and for providing so much useful information for road trips at Written in Stone ... seen through my lens.

Chan, M.A. and Parry, W.T.  2002.  Mysteries of Sandstone Colors and Concretions in Colorado Plateau Canyon Country (PDF).  UT Geological Survey Public Information Series 77:1-19.

Fillmore, Robert. 2011. Geological evolution of the Colorado Plateau of eastern Utah and western Colorado. Salt Lake City: University of Utah Press.

Longwell, C.R. et al.  1932.  Rock formations in the Colorado Plateau of southeastern Utah and northern Arizona.  Geol. Surv. Prof. Paper 132-A.

Friday, February 22, 2013

Still Life with Mysterious Rock

“still life photography does not have to be of fruit and flowers!” says Photo Tuts+.
Continuing our tour of notable but mysterious rocks in the kitchen, we move next to several reminiscent of abstract sculptures.  They don't attract as much attention as the heavy green rock from the upper mantle.  Still, when visitors do see them, their bizarre forms always elicit comments:   “they were made by a volcano”, “they must be meteorite fragments”, “are these left over from D’s latest welding project?”, and so forth.
These rocks aren’t all that mysterious.  In fact, I know what they are.  Do you?  (tiles are 12” x 12”)
I’ve been reading about still-life photography, and was eager to try it.  My goal was to compose an artsy shot of the curious rocks, with typical still life objects of similar color and texture in the background.  These would be slightly out of focus.  The results were very clear in my head, but I didn’t quite get there.
Playing with perspective ... larger objects in distance, smaller object up close.
A large aperture is required for a shallow depth of field, so that only the rock in the foreground is in focus.  With my Canon Powershot A720 IS in Av mode, I chose the lowest value, f/2.8, i.e. largest aperture, and moved the auto-focus frame to center it on the rock in the bottom of the picture.  This is all quite doable with the Powershot, even for someone who hates reading instructions.  However I never could get the degree of blurring in the background that I wanted.  I need to figure out how to make the depth of field even more shallow, if that’s possible.

Turning to light:  “The soft, flat light produced when the sky is overcast and cloudy may be frustrating when shooting outdoors, but it’s perfect for shooting still lifes at home” according to Digital Camera World in a post on still life photography using window light.  With a snow storm outside, it was a good day to try it.
Every now and then the sun came out, changing the game.  With the window directly in front, objects are fully lit but that can be boring.  Side light provides a mix of light and shadow to play with.  Also, it’s easier to keep the photographer’s shadow out of the mix.
Supplemental light can be helpful or interesting.  An incandescent bulb added warmth -- interesting maybe, but I didn’t pursue it.
Light from a flash often gives a flat boring photo with unwanted highlights and reflections.  But not always.  Sometimes it works nicely, here revealing the interior of the old cup.
On to composition:  the “compositional element of your still life work is an absolutely crucial part of ensuring that your work is engaging” (Photo Tuts+).  This is good, as composition has always fascinated me and it’s something I play with naturally.  Shooting still lifes indoors allows for a lot of control in composition -- over color, pattern, texture, and light and shadow, as well as choice and arrangement of objects.  I found the grout lines to be useful additions.  They add interest without taking away from the subject, and can direct the eye of the viewer.
I like photos with something a bit different, unexpected.  Here’s a regular pattern but a rock is missing it seems.
Finally, post-processing (iPhoto):  I did some straightening when grout lines were unintentionally askew, and some cropping of course.  With the day’s light and somewhat-reflective tiles, I often had to reduce highlights.  I also lightened shadows a bit.

As always, I took lots of shots ... very easy as still lifes don’t move.
Old and rusty -- this is a hint!
As to the mysterious rocks -- here's one in situ, not yet weathered out ...
... and its home:
Where on Google Earth?  Right here (click photo for a better view):

UPDATE:  For more on the Navajo sandstone and iron concretions, see the sequel to this post:  The largest erg on earth ... ever!